The Italian Neorealism movement that changed the way of film making all over the world.
I love movies more than I can properly articulate. I love watching them on tv, because they have been present in every moment of my life I can remember. They were literally my best friends when I was a kid and a good companion after a long working day today. I can always rely on a good film when I am sad and tired. One of the few things that I learned in drama school is the simple trick of taking a step back to view something you already know through a new, academic lens. I learned how to view, deconstruct, and understand something as seemingly innate as genre. And it was in that very moment during a class that I found out Italian Neorealism cinema were at first place in my favorite genre list.
Italian Neorealism can be defined as a cultural movement concerning film making that began immediately after World War II until early 1950s. Neorealism films focus more on the social problems that developed during the war - rather than fiction - and the ramifications of life in Italy after the war with a practical approach to filmmaking. The films depicted the moral conditions and economic difficulties of Italy during that time capturing aspects of human nature on film.
In the 1940s as it became increasingly clear that fascist regimes were on the decline in both Europe and Asia – many artists turned to a new type of cinema. Italian Neorealism was born out of this cultural shift and sought to bring an honest depiction of life back to film. I love this genre because it brings social issues on silver screen for the first time focusing on everyday life with stories about poverty and working-class struggles in post-war Italy. While relatively short-lived, this genre became highly influential in cinema all over the world.
Characteristics of Italian Neorealism
These are the main characteristics we can find in a Neorealism movie that made me love this genre more than everything:
1. The directors avoided complicated editing and lighting and preferred a more natural and simple style, making the film look like a documentary.
2. The directors made more use of a collective rather than an individual narrative (rather based on the figure of the hero for example).
3. The choice to cast non-professional actors
4. The actions happened in real places and mainly outside
5. A more popular language was used
6. The stories were simpler
7. Most of the scenes were improvised
“Everyone could play one role perfectly: himself.”
- Vittorio De Sica
In other words, Neorealism directors avoided American-style films like commercial comedies. And it doesn't take much to understand why: Cinecittà film studios were severely damaged by the allied forces, they were then completely destroyed to stop Fascism propaganda and thus made unusable. That's why directors had to seek alternative filmmaking practices. This necessarily led to a sudden shift in Italian cinematic storytelling, both in terms of moviemaking methodology and the topics covered.
Neorealist directors redefined how filmmakers could show everyday life of real people, with an emphasis on real world struggles in the aftermath of WWII, on the big screen.
"I try to capture reality, nothing else."
- Roberto Rossellini
Most Influential Italian Neorealist Films and Directors
Ladri di Biciclette - Bicycle Thieves - 1948
Director: Vittorio De Sica
Director: Roberto Rossellini
La Terra Trema - The Earth Trembles - 1948
Director: Luchino Visconti
Umberto D. , 1952
Director: Vittorio De Sica
Riso Amaro - Bitter Rice, 1949
Director: Giuseppe De Santis
Ossessione - Obsession - 1943
Director: Luchino Visconti
Paisà - Paisan - 1946
Director: Roberto Rossellini
La Strada - The Road - 1954
Director: Federico Fellini
Germania Anno Zero - Germany, Year Zero - 1948
Director: Roberto Rossellini
The Bandit - Il Bandito - 1946
Director: Alberto Lattuada
Miracolo a Milano - Miracle in Milan - 1951
Director: Vittorio De Sica
The Vanquished - I vinti - 1953
Director: Michaelangelo Antonioni
I Vitelloni - 1953
Director: Federico Fellini
Pane, amore e fantasia - Bread, Love and Dreams - 1953
Director: Luigi Comencini
Italian neorealism was such a revolutionary genre that changed forever filmmaking in the movie industry. Some even define it the anti-Hollywood choice as it depicted everyday life in all its complexity.
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